Look What's Happened to Pixie Decosta, Theatre Too Arnold also did an incredible job using very few fixtures and gobos to create numerous looks and scene locations, giving us reprieve from the fixed English study from time to time. One must never under appreciate a good, even wash, and Paul Arnold's was so warm and soothing. I particularly enjoyed the lighting he created for the movement of the box cars across the railroad tracks. You could feel the heat of the dust bowl or the loneliness of riding a box car late at night with Arnold's lighting. The use of blue and vanilla hues to saturate those folk numbers were perfection. Kudos must also be given to Lighting Designer Paul Arnold. Woody Guthrie's American Song, Theatre Too Treating the light panel as an actor in its own right is a challenge, but Paul succeeded. At times the lighting accented the comedy of the moment, or the poignancy of painful emotion. With some lighting cues requiring a hair trigger to capture the moment, he exhibited the eye of an artist as he painted the area with light. Paul's lighting design made the stage come to life. On a technical note, I need to give a hearty "well done" to Paul Arnold for his excellent lighting design. I Love You, You're Perfect, Now Change, Theatre Too Lawson Taitte, Dallas Morning News Full Review Paul Arnold lights the darkness in all kinds of unconventional ways. By far, this was the most innovative and effective use of lighting I had seen in a number of years. Rather, the lighting created the tone and mood of every moment.
The lighting never distracted from the scene.
These designers don’t seem bound by this basement space. Paul Arnold’s lights reveal and conceal in unexpected ways. The craggy, baggy walls and blocky rocks hide nooks and night-lights that allow for hiding and finding. The eye popping, lavish design of costume, lighting, sound, and scenic were the best I've seen in years at T3.įor starters, Schmidt designs his own set with soft black cloth swaged to seem hard. Coleman once again displayed his title as one of the finest directors in this community with this musical. This was a magnificent, powerful, rich, and superlative production. Bloody Bloody Andrew Jackson, Theatre Three
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